superboyprime: (Default)
[personal profile] superboyprime posting in [community profile] scans_daily


'The "insane" -- ie, foaming at the mouth -- Joker is definitely far, far off-model from the correct portrayal of the character. The real Joker was able to keep Batman guessing because he was smart and ruthless, not because he was crazy. The latter is a lot like saying a drunk driver would have the best chance of winning at the Indy 500!'- John Byrne

Read more... )

America #1 - Breaking Up

Jul. 27th, 2017 06:25 pm
informationgeek: (RainbowDash)
[personal profile] informationgeek posting in [community profile] scans_daily
If there was one Marvel book that I had to say was probably the weakest thing currently being published, it would be America. It's not because of the themes or the character, but mostly on the writing... and how the character is written. There's... problems if you haven't noticed.


As such, let's take a brief look at one of the scenes of the first issue.

Read more... )

Philip Kerr: Bernie Gunther Series

Jul. 27th, 2017 05:29 pm
selenak: (Watchmen by Groaty)
[personal profile] selenak
Reading the first Bernie Gunther novel has sent me into the rabbit hole, the marathon reading from which I now slowly emerge, having grabbed all the novels my local library had available and then buying the most recent one, Prussian Blue. By which you can conclude that these novels are addictive, despite or maybe because of their very dark setting and the way Kerr handles it. I didn’t always read them in order, but that works out better than usual in a series because Kerr writes them not always in linear order as well, and several take place in different eras simultaneously (one post WWII, one during the Third Reich), each filling out different gaps in his anti hero’s life. In fact, I’m glad I read, not by intention but coincidence of availability, “The Other Side of Silence” (No.11, probably the one most located in the 1950s, with just one flashback to the 1940s) before “The Pale Criminal” (No.2, set in 1938), because while both novels feature male gay characters, the ones in No.11 are fleshed out and for the most part sympathetic, and also not just one or two but four on page and a fifth one intensely talked about, whereas in No.2 they are solely a weak coward and a villain respectively, which for a novel set during a time when gay people ended up in prison and/or camps in Germany is a highly questionable authorial choice.

(Sidenote: not that you don’t have historical basis for writing gay villains in a story set among the Nazis. I mean, Ernst Röhm. But still.)

Reading the first novel had left me wondering how Kerr would justify Bernie Gunther’s continued survival as a (mostly) ethical P.I. in one of the most brutal dictatorships in history. Turns out, he doesn’t; Bernie gets drafted back into police service by Reinhard Heydrich in 1938, which means that when WWII starts, he along with the rest of the police gets absorbed into the SS, and while he manages to get a transfer into another unit, this doesn’t happen before being exposed to and in one case participating in mass shootings. While some of the novels feature flashbacks to the P.I. period, most therefore have Bernie as part of the institutions he abhors, which simultaneously deepens his moral compromise (and self loathing) but heightens the likelihood of his survival (while also providing the novelist with excuses for letting Bernie be present at some key points he couldn’t have been as a civilian, like the discovery of the Katyn massacre, more about that in a moment). I find this a fair authorial choice – if you’re going to produce a series of novels with a German detective set mostly in the Third Reich, keeping him entirely guilt free of the morass the nation was sunk into would have felt like cheating. I also was able to buy into the premise of various upper hierarchy Nazis – Heydrich, Goebbels, Arthur Nebe – finding Bernie so useful they would want to use him because he’s That Good at crime solving and occasionally even in a dictatorship you need to figure out who actually did the deed as opposed to finding the most convenient scapegoat. (The constant in fighting and rivalry between top Nazis also plays a role in Bernie’s survival, since a good detective is also useful for getting dirt on each other.) Another way Kerr plays fair is having Bernie constantly aware of the sheer insanity of it all – trying to track down individual criminals when the entire system around you has become criminal, and murder and thievery actually are the law.

Further ramblings below the cut )
stubbleupdate: (Default)
[personal profile] stubbleupdate posting in [community profile] scans_daily
We're all well aware that All Star Batman and Robin was off the wall, with its story of Batman making Dick Grayson, aged twelve, eat rats in the Batcave, The Goddamn Batman, Wonder Woman calling a man "Sperm bank", "Fast hands, my little Robin. Fast hands, big mouth" and Batman painted yellow for a meeting with Green Lantern.

Scott Snyder clearly took inspiration from this series when writing his own All Star Batman
presented without context )

Deadpool #33: "Airbag"

Jul. 27th, 2017 12:30 am
superboyprime: (Sun)
[personal profile] superboyprime posting in [community profile] scans_daily


"The country is changing. Captain America is changing. We’re using the opportunity to change Wade’s life in a very big way. You’re going to have to retitle the book." - Gerry Duggan

Read more... )
superboyprime: (Default)
[personal profile] superboyprime posting in [community profile] scans_daily


"How far ahead do we plan things? There's dialogue in today's SILVER SURFER I knew we'd hit going all the way back to our very 1st issue." - Dan Slott

Read more... )
leoboiko: (Default)
[personal profile] leoboiko posting in [community profile] scans_daily

What, it's not posted yet? You cuties are giving me the honor? Aww, you shouldn't have.

Are you ready to PUMP PUNISHMENT?!? )
superboyprime: (Default)
[personal profile] superboyprime posting in [community profile] scans_daily


"At the canny request of Executive Editor Mike Carlin, G2 expands its mandate and studies the lives and time of some of the other characters who inhabited the DC Universe over the same years as our two stars." - John Byrne

Read more... )

Cloud Stories

Jul. 26th, 2017 09:29 am
[personal profile] kthorjensen posting in [community profile] scans_daily
Hi. Frequent lurker, occasional poster. My new book CLOUD STORIES goes on sale in better comic book stores around the USA today so I thought I should make a post here about it. It's a collection of short comics stories loosely organized around the topic of clouds. They vary in subject and tone from horror to slapstick comedy, high fantasy to memoir. I think it's pretty good!

Cloud Stories Cover 12 pages from a 216 page book )
selenak: (BambergerReiter by Ningloreth)
[personal profile] selenak
Having now read three of the four books the first two seasons of The Last Kingdom are based on, I find my original suspicion that Bernard Cornwell novels benefit from adaptions into other media because these take you out of the main character's head justified, though not always quite in the way I assumed. Because the novels are narrated by an older Uthred looking back, his narrating self can sometimes point out things his younger self did not yet see or realise, for example, that he wronged his first wife Mildrith, or that he underestimated Alfred early on because a chronically sick non-warrior valueing learning and feeling guilty about sex could not possibly be a strong leader in his young eyes. Otoh, older, wiser Uthred narrating still doesn't change the fact most female characters come across as more dimensional and fleshed out in the tv adaption than they do in the novels (Brida and Mildrith in the first, Hild and Aelswith in the second season - Iseult, alas, is a cliché in both versions).

The tv show cut or compressed various characters and slimmed down events, and given that they do two books per season so far, that's not surprising. But even if they took a longer time, I think some of the changes and cuts were to the narrative's benefit. For example: Cornwell has to come up with some pretty convoluted circumstances and far-stretched plots to have a teenage Uthred who is still with the Danes secretly present when Prince (not yet King) Alfred confesses about his carnal lapses to Beocca. In the book, he needs to be because he's the narrator and neither Alfred nor Beocca would have told him about this. The tv show dispenses with said circumstances and just has the scene between Alfred and Beocca, without Uthred secretly listening in, because he doesn't need to be in order for the audience to get this information about the young Alfred.

Mind you, dispensing with the first two times Uthred meets Alfred and letting their first encounter not happen until after Ragnar the Elder's death creates one important difference between book and show relationship that's worth mentioning. Book Uthred lies to Alfred (and Beocca) these first two times and point blank spies on them for the Danes, so the later "why do you keep distrusting me?" indignation rings a little hollow in this regard. Show Uthred does no such thing, so Alfred is accordingly less justified in his lingering ambiguity.

Another cut that somewhat shifts perception: the first novel has Uthred participating in a few Danish raids led by Ragnar, including one on Aelswith's hometown (though she doesn't know he took part). Now, in the show we go from Uthred the child to adult Uthred directly and adult Uthred is solely seen at Ragnar's home, with the deaths of Ragnar & Co. impending, but given adult Uthred later is shown to be already a skilled fighter, it stands to reason he practiced these skills. But I suspect the show avoided showing Uthred fighting against Saxon civilians this early on deliberately. Both show and books have Uthred loving the Danes but staying with the Saxons post Ragnar's death because various circumstances (and then Alfred's machinations) make it impossible for him to do otherwise. Only the book, though, spells out that Uthred doesn't start to feel any kind of identification/emotional connection to the Saxons until he sees them winning a battle (until then, narrator Uthred says, he hadn't thought Danes could lose, which makes sense given that throughout Uthred's childhood and adolescence, they were winning), when before he regarded them as weak and didn't want to think of himself as belonging to them. Which makes sense given Uthred is raised in a warrior culture and is a young, arrogant adolescent at the time, but again, I suspect the tv version avoids spelling this out in order not to make him off putting early on when establishing the character.

Otoh, the scenes the tv show adds in the two seasons where Uthred isn't present all serve to flesh out the characters in question more and work to their benefit, whether it's Alfred, Hild, Aelswith or Beocca. The notable exception is Guthred in s2, whose additional scenes make him look worse, not better than the novel does. Possibly, too, because in the novel Guthred is described having an easy charm that makes Book!Uthred forgive him even the truly terrible thing Guthred does to Uthred, and the actor playing Guthred on the show doesn't have that at all, and instead comes across as nothing but fearful, easily influenced and weak. (And show!Uthred while coming to terms with him doesn't forgive him.) I have to say, lack of actorly charm aside, given that Guthred does something spoilery to Uthred ), I find the tv version more realistic.

The push-pull relationship between Uthred and Alfred is there in both versions, but in the tv show, it comes across as more central. As my local library has it, I also read "Death of Kings", the novel in which, Alfred dies, not without manipulating Uthred one last time into doing what he wants him to do, and Uthred's thoughts on the man later, summing him up, are Cornwell's prose at its best:

I stood beside Alfred's coffin and thought how life slipped by, and how, for nearly all my life, Alfred had been there like a great landmark. I had not liked him. I had struggled against him, despised him and admired him. I hated his religion and its cold disapproving gaze, its malevolence that cloaked itself in pretended kindness, and its allegiance to a god who would drain the joy from the world by naming it sin, but Alfred's religion had made him a good man and a good king.
And Alfred's joyless soul had proved a rock against which the Danes had broken themselves. Time and again they had attacked, and time and again Alfred had out-thought them, and Wessex grew ever stronger and richer and all that was because of Alfred. We think of kings as privileged men who rule over us and have the freedom to make, break and flaunt the law, but Alfred was never above the law he loved to make. He saw his life as a duty to his god and to the people of Wessex and I have never seen a better king, and I doubt my sons, grandson and their children's children will ever see a better one. I never liked him, but I have never stopped admiring him. He was my king and all that I now have I owe to him. The food that I eat, the hall where I live and the swords of my men, all started with Alfred, who hated me at times, loved me at times, and was generous with me. He was a gold-giver.


Last Yuletide I added a Last Kingdom request at the last minute because I'd seen it had been nominated, and accordingly it was short, but this Yuletide I think I'll also offer, and will request in more detail and more characters. While the other historical tv shows I consumed during the last year were entertaining in various degrees, this was the only one which was also good.

Secret Empire #7

Jul. 26th, 2017 03:27 am

Profile

rubberglue: (Default)
rubberglue

June 2013

S M T W T F S
      1
2345678
9101112131415
1617 1819202122
23242526272829
30      

Style Credit

Expand Cut Tags

No cut tags
Page generated Jul. 28th, 2017 10:58 am
Powered by Dreamwidth Studios